“[T]he media of New York City is so in bed with money and real estate,” says poet EILEEN MYLES. In their interview with HUGO BAUSCH BELBACHIR, Myles talks about running for president and that she doesn't think Patti Smith is interested in dykes.

The artist goes silent on social media; the audience struggles with the lull. In this essay, SAMUEL HYLAND analyzes FRANK OCEAN's Coachella performance in a post-structural manner.

In mid-April, two art world events happened at the same time: Coachella and Expo Chicago. In Chicago—not in LA—032c's editor CLAIRE KORON ELAT analyzes the cult status of Erewhon, the art market's craze for abstract figurative paintings by Black artists, and why mushroom powders won't solve the housing crisis but are an effective remedy for cultural anxieties.

Jazz musician AHMAD JAMAL, who passed away last Sunday at the age of 92, escapes the bounds of mortal limitations—“A scholar is never finished. He’s always seeking. I’m seeking.“

“They are fucking on the ground, on the dirt path that leads to the house,” is a description of LOUIS FRATINO's paintings, which often depict scenes of gay sex or still lives, referencing art historical traditions. In this interview with HUGO BAUSCH BELBACHIR, the artist about queerness as a universal trait and fantasizations about our identities.

Nothing is forever, except everything we put on the internet. In this new edition of Brenda's Business, 032c's BRENDA WEISCHER talks to MIA KHALIFA who became infamous through her short stint in the porn industry.

Out in cyberspace, video game prodigy Hideo Kojima 3D-scanned Acronym's founder Errolson Hugh, and then casted him as a player in a bespoke virtual sandbox. Originally published in our now sold-out issue #42, the two friends and collaborators discuss an apocalyptic future.