With the Rimowa Design Prize, the luggage brand is hosting a competition aimed at rejuvenating German design. Shane Anderson speaks with jury member Dr. Mahret Ifeoma Kupka about why good design makes life easier.

What is it like to work with two legendary perverts? Come Tees’ Sonya Sombreuil explains why R. Crumb and Eric Kroll are actually kinder to women than most.

Madeline Argy talks about summer for Samsøe Samsøe's pre-Autumn 2025 collection “Summer Camp.”

Typically what cannot be seen, is what we most like to see. And what cannot be comprehended, is what we are most interested in investigating. A collaboration between CUPRA, Maria Koch, and 032c.

On the occasion of KLÁRA HOSNEDLOVÁ’s show "embrace" for the CHANEL Commission at Hamburger Bahnhof, we're revisting ESTELLE HOY's essay on her work for 032c Issue #43. The artist was photographed by VITALI GELWICH and styled by RAS BARTRAM.

This Gallery Weekend, Berliners can see a new series of photolithographs created by artist Julian Charrière at Ruinart’s Champagne & Art Bar in the PalaisPopulaire. In honor of their collaboration, we revisit a feature interview with Charrière, conducted while ascending a volcano.

"Everything is architecture," according to Hans Hollein. In honor of his ongoing exhibition at the Centre Pompidou, we revisit a feature from the 032c archive that explores the Austrian architect's use of media, technology, and spectacle.

“It was really intimidating at first because I didn’t always feel comfortable being undressed in front of people—" Paige Silveria recently spoke with Michella Bredahl about pole dancing, outsider art, and transforming trauma into beauty.

For the Nigerian artist known professionally as “Soldier,” watching skate tapes and staring at Bible engravings served as early inspiration. In a new interview, he speaks to Max Rossi about running away from home, collaborations with Louis Vuitton, and his new exhibition in London, "Black Star."

Clothes are like homes according to philosopher Emanuele Coccia. Shane Anderson spoke to the philosopher and close collaborator of Alessandro Michele about the intersections of democracy and fashion and why fashion can reimagine time better than any other medium.

Viviane Sassen has spent decades studying the body, but not anatomically. Following her exhibition at Fotografiska Berlin, Max Rossi sat down with Sassen to discuss the link between the physical and the subconscious, balancing art and commercial work, and the limits of traditional photography.

In the 032c archive, we highlight the best pieces from over 25 years of printmaking. This print feature with artist David Hockney written by Sven Michaelsen was originally published in 032c Winter 2020/21 Issue #38.

On the occasion of David Hockney's largest exhibition to date, which opened yesterday at the Fondation Louis Vuitton in Paris, we're publishing this feature of him about his work and his lifelong friendship with the late R.B. Kitaj.

Last Thursday, we hosted the first 2025 edition of our 032c Bar Night on the occasion of the Berliner 032c Festspiele. With tunes by Superstar DJ Killing, we celebrated a day of shopping at our annual sample sale down the road from Kranzler Eck. See evidence below.

What began in Tokyo’s DIY corners with glitchy SoundCloud drops and raw demos grew into a movement with its own codes, sound, and sense of possibility. In a new interview with Noa Cid Blanco, Tohji discusses the evolution of Japanese music, his new project "zero-one," and why making music is selfish.

We keep hearing that print is dying, but Sophia Neophitou-Apostolou, Global Editor-in-Chief and founder of 10 Magazine, doesn’t buy it. Following 10’s global expansion and the launch of 10 Magazine DE with Toby Grimditch, Max Rossi speaks with them about scaling a publishing empire, elevating fashion discourse in Germany, and why magazines remain essential in 2025.

Today, April 5, is the last day of our annual sample sale with NEW available stock. Come by, say hi, and stay for a LAP Coffee. See evidence here of the past two days.

Berlin-based artist Ketuta Alexi-Meskhishvili likes to manipulates images, challenging conventional notions of photographic reproduction and what image-making can mean today. In conversation with Claire Koron Elat, she talked about the process behind the design, flowers that are politically charged, and how she consumes images.

In this instalment of TRANSMISSIONS, Jordan Richman returns to the fashion circuit after an extended hiatus only to find the lights dimmer and the gossip exhausted. In an industry addicted to novelty yet haunted by repetition, Richman wonders: what future does fashion still have left to imagine?