More Than a Shop: Alex Foley’s Civilist

Civilist is more than a skate shop—it’s a platform for creative inspiration. For its 15th anniversary, founder Alex “Foley” Flach sits down with ORSON GILLICK MORRIS to reminisce on the early days, Berlin’s best skate spots, and the next 15 years.
By ORSON GILLICK MORRIS
More Than a Shop: Alex Foley’s Civilist

Welcome To Hell: Ben Ware On Extinction

The end is not nigh, it’s already here. On the occasion of his latest book, On Extinction (2024), philosopher Ben Ware, in conversation with SHANE ANDERSON, confronts the end of the world and suggests that we have to face our conceptual stasis and imagine new possible worlds.
By SHANE ANDERSON
Welcome To Hell: Ben Ware On Extinction

Marc Kalman’s Definition of Boyish

Marc Kalman’s Definition of Boyish

Evolving

“Evolving” marks the convergence of distinctive attitudes of the past, present, and future—remaining their only point of unification. Featuring the Dr. Martens 14XX Sub Boot, 1460 Sub Boot, and the classic 1460, the shoot examines a history of innovation that continues to evolve.
Evolving

Moncler and Rick Owens Craft Personal Sanctuaries

Moncler and Rick Owens Craft Personal Sanctuaries

Screentime Overload with Eugene Kotlyarenko

Ukrainian-American director Eugene Kotlyarenko’s films blend a paranoid overload of messages, notifications, and social media prompts to show how our everyday lives have been mutated by interfaces. In conversation with ARIANNA CASERTA, he reflects on his latest release, The Code, and the influences behind his signature style.
By ARIANNA CASERTA
Screentime Overload with Eugene Kotlyarenko

Fakethias’ Infinite Horizon

As experimental forms of music are never able to fully escape the politics of popular music, Norwegian artist FAKETHIAS has stopped trying to fight against them and now appropriates their structures and formats. In conversation with ORSON GILLICK MORRIS, FAKETHIAS discusses a hybrid sound unique to his live performances, hanging out with Varg2™ in a Stockholm arcade, and the defined agenda of Massive Gain.
By ORSON GILLICK MORRIS
Fakethias’ Infinite Horizon

Next To a Volcano, You Don’t Exist: Julian Charrière

On the occasion of “Stone Speakers - Les bruits de la terre,” Julian Charrière’s newest exhibition opening on October 17th at the Palais de Tokyo in Paris, we revisit a feature interview with the artist and ADRIANO SACK as they ascend the ashy slopes of Mount Etna.
By ADRIANO SACK
Next To a Volcano, You Don’t Exist: Julian Charrière

All Networks Lead Through Kansas: The Shadowy Well(ness) of Masculinity

In the second installment of his column ALL NETWORKS, PHILLIP PYLE, drawing on artist Joshua Citarella's insights, explores the “Manosphere”—an online universe of right-wing forums, discourses, and practices dedicated to upholding masculinity—and highlights its subtle influence on mainstream politics.
By PHILLIP PYLE
All Networks Lead Through Kansas: The Shadowy Well(ness) of Masculinity

The Art Institution of the Future

What does the future of the art institutional landscape look like? In conversation with CLAIRE KORON ELAT, the founders of TRAUMA in Berlin, a space where site-specific art installations and club nights take place simultaneously, talk about going against the standard music industry, being reduced to a club only, and the “pics or it didn’t happen” ideology.
By CLAIRE KORON ELAT
 The Art Institution of the Future

STURTEVANT

On October 12, an exhibition at Thaddaeus Ropac in Paris is opening to celebrate the work of pioneering American artist Sturtevant, spanning 50 years of her career—from early paintings to video installations. Read our interview with the artist from 2008 HERE.
STURTEVANT

Artist and Distribution Master MARCO BRAMBILLA’s Hyper-saturated Pop Iconography

Marco Brambilla’s 3D digital collages are made by plundering images from the history of pop culture and Hollywood and reforming them into narrative kaleidoscopes. On the occasion of “Double Feature”, his upcoming installation at Fotografiska Berlin, we revisit a conversation with the artist from 2014.
Artist and Distribution Master MARCO BRAMBILLA’s Hyper-saturated Pop Iconography

Mire Lee’s Fountain of Filth

“I’m interested in the notion of impossibility, the notion of limits.” Mire Lee has been known to disobey taboos. On the occasion of Lee’s Turbine Hall installation at the Tate Modern, the Korean artist reflects on ugliness, porn, and death.
By PHILLIP PYLE
Mire Lee’s Fountain of Filth
032c

“We Cannot Assume False Neutrality”: Wu Ming—from the Luther Blissett community

Social activists, creative renegades, and an international literary movement. In this interview, AGNES MAGGIE SHU speaks with the elusive founders of the faceless collective WU MING, who share their unique approach to shaping and infiltrating culture.
By AGNES MAGGIE SHU
“We Cannot Assume False Neutrality”: Wu Ming—from the Luther Blissett community

The Dare Knows What's Wrong with New York

The Dare Knows What's Wrong with New York

The Opioid Crisis Lookbook: An Interview with DASHA ZAHAROVA and DUSTIN CAUCHI

DASHA ZAHAROVA and DUSTIN CAUCHI are the editors behind the Opioid Crisis Lookbook, a magazine about drug addiction and its systemic, aesthetic and cultural implications. In a rare interview originally published in 032c Issue #45, the couple tell CASSIDY GEORGE how they fell in love, what they mean by “speculative semiotics,” and why they joined the Santa Muerte cult in Mexico.
By CASSIDY GEORGE
 The Opioid Crisis Lookbook: An Interview with DASHA ZAHAROVA and DUSTIN CAUCHI

Bryan Johnson: “Death is a Technical Problem”

Taking 111 pills a day, he’s a researcher and his own guinea pig. The tech tycoon BRYAN JOHNSON wants to put a halt to aging and calls on humanity to start a revolution. His slogan: “Don’t die!”
By DAGMAR VON TAUBE AND SVEN MICHAELSEN
Bryan Johnson: “Death is a Technical Problem”

Optimistic Runners: “Enter the Void”

“Pain is inevitable, suffering is optional,” writes Haruki Murakami. Part training diary and part actual diary, his book has evolved into a life manual for runners—and this is also true of ANDREI KRAVSTOV, founder of OPTIMISTIC RUNNERS. Ahead of the Berlin Marathon, AGNES MAGGIE SHU poses just one question: Why do you run?
By AGNES MAGGIE SHU
Optimistic Runners: “Enter the Void”

Troye Sivan in Custom 032c Readytowear

For his sold-out Madison Square Garden concert, TROYE SIVAN wears full custom 032c Readytowear by MARIA KOCH.
Troye Sivan in Custom 032c Readytowear

As Long as it Lasts: Ari Versluis

In 1993, Lawrence Weiner’s AS LONG AS IT LASTS was installed on the Rotterdam Euromast overlooking the birthplace of gabber, Club Parkzicht. A year later, Dutch photographer ARI VERSLUIS began the project Exactitudes, investigating the identity, uniformity, and duration of subcultures as long as they last.
By ORSON GILLICK MORRIS
As Long as it Lasts: Ari Versluis

Harry Nuriev’s Critique of the Industry

Although it sounds preposterous, visual pleasure is often frowned upon in the art world. An artwork that is too documentable, too photogenic, and too ready to be posted on Instagram immediately arouses suspicions about its intent. In this conversation with CLAIRE KORON ELAT, HARRY NURIEV discusses the industry’s abuses, consumerism, and the line between art and design.
By CLAIRE KORON ELAT
Harry Nuriev’s Critique of the Industry

Launch of 032c Gallery in Berlin

Joerg Koch / 032c is pleased to announce the launch of 032c Gallery in Berlin—032c’s new permanent art gallery in Berlin with a semi-traditional gallery model, annual program, and rotating exhibitions of which Claire Koron Elat and Shelly Reich will be Artistic Directors.
Launch of 032c Gallery in Berlin
032c

The Zone

In Andrei Tarkovsky’s The Stalker (1979) a man risks his freedom in a post-apocalyptic dystopia leading a writer and a professor to an unnamed place. Shrouded in governmental secrecy and prefaced by an unspecified past, the place is simply referred to as the “The Zone.” It contains another place within it alleged to fulfill any worldly desire: “The Room.” In this shoot featuring Zalando Streetwear, VIKTOR NAUMOVSKI captures the human navigation of these unspecified industrial spaces and potential for warmth within their structure. 
The Zone

SAAY: What is the distinction between life and art?

“Every single moment of meeting and parting in my life is my inspiration". In a global industry of polished-to-perfection pop idols, SAAY sees her music not as a neatly packaged product, but as life spilling over into sound. 032c joined SAAY for a week in Seoul ahead of her performance at Frieze Music.
By HARRIET SHEPHERD
SAAY: What is the distinction between life and art?

Death in Sicily: Adriano Sack

Roland Barthes once advocated for the death of the author—032c veteran ADRIANO SACK has done exactly that. In conversation with SHANE ANDERSON, the writer and critic discusses death and lust, autofiction, and the symmetry within his debut novel.
By SHANE ANDERSON
Death in Sicily: Adriano Sack
032c
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