“We Should Get Her Flowers” by Ana Viktoria Dzinic

032c Workshop is pleased to announce the launch of the 032c Artist Residency with the first artist in residence Ana Viktoria Dzinic.

Ana Viktoria Dzinic’s inaugural solo exhibition with 032c, curated by Claire Koron Elat, is entitled “We Should Get Her Flowers,” and will be on view from December 14, 2023 to January 27, 2024.

The 032c Artist Residency is a program for emerging artists that offers a digital and physical platform to further deepen the participants’ research interests with a specific focus on interdisciplinary practices. The artist’s six-month residency begins with a solo exhibition at 032c Workshop in Berlin and ends with a solo show in Seoul.

Throughout the six-month period, the artist will publish an article on 032c.com every month and have a monthly session with each member of the advisory board. The professionals making up the board of advisors come from the art, fashion, and culture industries and will be announced soon. The artist will also have continuous check-ins with the residency’s organizer, and receive support in their research and artistic production from the 032c team and the magazine’s network.

At the end of each residency, the artist will have the opportunity to launch a product, which can take on different forms, in collaboration with 032c. In the spirit of the 032c universe, the residency is a place for freedom, research, and creativity, where fantasy is reality, aspiration is attainment, and everything is culture in the making.

Ana Viktoria Dzinic is a London-based artist who investigates image construction in a post-photographic landscape and forms of contemporary content production. Negotiating concepts of image, subjectivity, and symbolic circulation, she explores the slippages and discrepancies around image making, predominantly through photographic paintings and installations. Dzinic, who grew up in Switzerland as a working-class migrant and transgender woman, often relates the image distributed by the media, brands, and cultural entities to her own identity, questioning the correlation between self and image as well as filtered and reality.