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Manual for Freedom, Research & Creativity

What We Believe
  • ©032c System GmbH

    • Primal Beauty Advanced Technology

    vest GIVENCHY; leather cuff HERMÈS
    jumpsuit GIVENCHY
    bra KIKI DE MONTPARNASSE; shorts SUNSPEL; pearl cuffs and belts CHANEL
    coat, dress and shoes CÉLINE
    dress and shoes SAINT LAURENT; earrings POMELLATO; jumpsuit VALENTINO
    turtleneck DAMIR DOMA; pvc cowboy hat ACNE; rings BALENCIAGA
    turtleneck and trousers DAMIR DOMA; hat ERIC JAVITS; rings BALENCIAGA
    leather jacket and silk shorts VERSACE; leather cropped top BALMAIN; studs REBECCA MINKOFF
    bustier and skirt CALVIN KLEIN
    jumpsuit VALENTINO
    coat, dress and shoes CÉLINE

    Photography SEAN AND SENG
    Fashion BEAT BOLLIGER
    Model KARLIE [email protected]

    Make Up JANINE [email protected] HOWARD MANAGEMENT; Hair HOLLI [email protected] MANAGEMENT; Manicurist GINA [email protected] BY TIMOTHY PRIANO; Prop Stylist ANDREW [email protected] WALL GROUP; Photo Assistants CHRISTIAN BRAGG and JAMES BRODRIBB; Stylist Assistant LINDSEY HORNYAK; Retouching OUTPUT LONDON; Production KATIE YU and MANDY [email protected] MANAGEMENT; Special Thanks to JUSTINIAN KFOURY and JEN RAMEY

    Photography SEAN AND SENG, Fashion BEAT BOLLIGER

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  • TERRITORIAL SIGNALS: A portrait of TOLIA TITAEV

    For 032c Issue 35, we photographed the young Russian skateboarder and designer wearing our COSMIC WORKSHOP collection. “If I didn’t have skateboarding in my life, I have no idea what I’d be doing," he told us. "I owe all my achievements to skating.”More

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  • “In a world where we obsessively document our own lives, most of us don’t pay nearly enough attention to what we owe one another. It’s about recognizing that human civilization began when we realized that we could do more together… Today, certain algorithms pull you toward the things you already know, believe, or like, and they push away everything else… Push back. It shouldn’t be this way. But in 2019 opening your eyes and seeing things in a new way can be a revolutionary act.”

    – Tim Cook, Apple CEO, Tulane University, May 18th 2019

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  • Life Exists: Theaster Gates’ Black Image Corporation

    Theaster Gates' “The Black Image Corporation” presents photographs from the holdings of Chicago’s Johnson Publishing Company, a sprawling archive that shaped “the aesthetic and cultural languages of contemporary African American identity.” Gates approached the project as a celebration and activation of the black image in Milan through photographs of women photographed by Moneta Sleet Jr. and Isaac Sutton – of black entrepreneurship and legacy-making. “Life exists” in the Johnson archive, he says, just as it exists and should be honored in other places of black creativity.More

  • FRIDA ESCOBEDO: The Era of the Starchitect is Over

    Rising Mexican architect Frida Escobedo is relentlessly inquisitive, eschewing stylistic constants in favour of an overriding preoccupation with shifting dynamics. Personal curiosity is the driving force behind her practice, which makes he an outlier in a profession dominated by extroverted personalities keen on making bold assertions. "I think it really is a generational shift," Escobedo says. "The idea of the starchitect making grand gestures with huge commissions is over."More

  • The novelist, essayist, and social critic James Baldwin has been dead for more than 30 years, but he is still a Jeremiah: a mournful prophet whose warnings about the health of the world appear to have gone unheeded. His 1963 book The Fire Next Time has reemerged as a discomforting guide for those bewildered by the global ascendance of the populist right, by the persistence of wealth disparity in the world’s most developed countries, by the deportations, by attacks on the free press, by police killings. Those seeking reassurance in the present through the belief that things “used to be worse” will find little comfort in his words. But perhaps they will find direction in his things . . . READ MORE ➡️

  • “I live a hope despite my knowing better”: James Baldwin in Conversation With Fritz J. Raddatz (1978)

    Born in Berlin in 1931, editor and writer Fritz J. Raddatz relied on food delivered by African American GIs after the death of his parents. To Baldwin he was an “anti-Nazi German who has the scars to prove it.” Debating his return to the USA after 25 years, Baldwin explores the political climate in America at the end of the 1970s in a conversation at home in Saint-Paul-de-Vence.More

  • House as Archive: James Baldwin’s Provençal Home

    For her new book, Magdalena J. Zaborowska visited the house Baldwin occupied from 1971 to 1987 “to expand his biography and explore the politics and poetics of blackness, queerness, and domesticity”. Here, she narrates her early journeys to Baldwin’s home and proposes a salve for its recent loss: a virtual presentation of Baldwin’s home and effects.More