KACZYNSKI/KELLER/KOSMAS – a conversation piece

Ted Kaczynski (b. 1942), also known as the “Unabomber” is an American mathematician, anarchist, social critic, primitivist and Neo-Luddite. He injured 23 and killed 3 people in a mail bombing spree that spanned nearly two decades, while living as a recluse in a remote cabin. His manifesto Industrial Society and Its Future argued that his bombings were extreme but necessary to attract attention to the erosion of human freedom necessitated by modern technologies requiring large-scale organization. His story is a manifold one and reverberates with the discourses of nature, technology and society. He is, as was written in The New Yorker, America’s “own Raskolnikov – the appealing, appalling, and disturbingly visionary murderer of Crime and Punishment, Dostoyevsky’s masterwork of 1866, […] a philosophical criminal of exceptional intelligence and humanitarian purpose, who is driven to commit murder out of an uncompromising idealism.”

AIDS 3D are Daniel Keller and Nik Kosmas (b. 1986). The American born, Berlin based duo deals with a multitude of issues at the intersection of art, technology and society. Their recent work plays with our contemporary conceptions of the value of art, the value of value, the energy of value, and the power of those networks in our society where value exchange takes place. Their work has been exhibited at The New Museum (2009), The Padiglione Internet, at the 53rd Venice Biennale (2009), Kunstverein Medienturm (2010), Mass MoCA (2011), Based In Berlin (2011), and the Netherlands
Institute for Media Art (2011).

The conversation piece KACZYNSKI/KELLER/KOSMAS came into being when Keller and Kosmas won Ted Kaczynski’s self-built backpack in a government auction, the proceeds of which went to Kaczynski’s victims. From transport to concept, combination and installation, the exhibition’s narrative circles between conversation and conservation. By correlating the rugged enframing of Kaczynski’s backpack with the technological fever curve of Moore’s Law – describing the exponential escalation of transistor per inch density on integrated circuits, as an industrial target and a self-fulfilling cultural prophecy – AIDS 3D transformed the 032c Workshop vitrine into an echo chamber for conflicting discourses. Iconicism and fetishism, terror and technology, nature and culture, individualism and collectivism clash violently and produce their very own logic of the contemporary:

  • HUMAN BEINGS EVOLVED UNDER PRIMITIVE, LOW-TECH CONDITIONS. THIS IS OUR NATURAL STATE OF EXISTENCE.
  • PRESENT TECHNOLOGICAL SOCIETY IS RADICALLY DIFFERENT THAN OUR NATURAL STATE, AND IMPOSES UNPRECEDENTED STRESSES UPON US, AND ON NATURE.
  • TECHNOLOGICALLY-INDUCED STRESS IS BAD NOW AND WILL GET MUCH WORSE, LEADING TO A CONDITION WHERE HUMANS WILL BE COMPLETELY MANIPULATED AND MOLDED TO SERVE THE NEEDS OF THE SYSTEM. SUCH A STATE OF AFFAIRS IS UNDIGNIFIED, ABHORRENT, DISASTROUS FOR NATURE, AND PROFOUNDLY DEHUMANIZING.
  • THE TECHNOLOGICAL SYSTEM CANNOT BE FIXED OR REFORMED SO AS TO AVOID THIS DEHUMANIZING FUTURE.
  • THEREFORE, THE SYSTEM MUST BE BROUGHT TO AN END.

David Skrbina, ecophilosopher, Technological Slavery: The Collected Writings of Theodore J. Kaczynski, a.k.a. “The Unabomber”

Deeper

  • THE BIG FLAT NOW: Power, Flatness, and Nowness in the Third Millennium

    As a contemporary metaphor, flatness describes how the invention of the Internet has restructured global society. At its origin, its promise was a social revolution founded on intersectional equality and universal democracy. It is our contention that that promise may yet be fully realized.More
  • 032c Resist Collection

    032c Resist Sweatshirt

    €160
    €70
    sold out
  • 032c WWB Collection

    032c WWB “Chevignon by 032c” Cosmo Jacket Green

    €480
    Buy Now
  • The 154 Exactitudes of Ari Versluis and Ellie Uyttenbroek

    Do people find their individuality when they dress to fit in, or do they lose it? Since 1994, Ari Versluis and Ellie Uyttenbroek’s highly-detailed photo series Exactitudes has compelled fundamental questions about the rules that govern fashion, individualism, and collectivity.More
  • 032c WWB Collection

    032c WWB Keyholder

    €40
  • Overcoming Originality: MAURIZIO CATTELAN and Gucci Steal Shanghai

    Speaking about his new show at the Yuz Museum in Shanghai, a collaboration with Alessandro Michele of Gucci, artist and curator Maurizio Cattelan says, “We are both fascinated witnesses of the overcoming of originality in our contemporary society.” The exhibition brings together works from more than 30 artists that, like Cattelan’s own oeuvre, question notions of reproduction and newness, considering the lives of copies, and the overdue absolution of the copyist.More
  • METAHAVEN: Version History at the London Institute of Contemporary Arts

    There’s something of a derelict cinema or post-riot feel to “Version History,” the installation which houses art-design collective Metahaven’s latest film. “Eurasia” goes in search of the New Silk Road: Chinese premier Xi Jinping’s multi-billion dollar global trade infrastructure initiative to link East and West, a geopolitically contested space re-envisioned as an epistemologically war-torn landscape.More