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Manual for Freedom, Research & Creativity

What We Believe
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  • “A long process of erosion and attrition preceded the fall of the Wall. In my mind this is all tied up with the movement of the East-West Express, also known as the Moscow–Paris Express.”

    Ten years ago, on the 20th anniversary of the fall of the Berlin Wall, historian KARL SCHLÖGEL remembered its end as a series of events, shifts, and impressions – a whimper, perhaps, more than a bang:

    “In my memory, it is not the fall of the Wall on November 9 that I connect with the feeling that the old days were over in 1989 – that night, as ‘crazy’ as it was, was just the verification. It was the sanctioning of what had already been decided, beforehand and elsewhere. I connect the end of the epoch with other dates, other places, other people. They do not feature in the most recent master narratives.”

    READ MORE in The Black Marketeers of the Bahnhof Zoo (Summer 2019)

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  • “If West once imagined himself as a religious figurehead, now, in the wake of career-threatening turbulence, he’s assumed the role of humbled disciple. At least, this is the conceit of “Jesus Is King,” West’s new album and a document of an alleged spiritual awakening. Religion has always animated West’s music, in flashes: one of his earliest hits was “Jesus Walks,” and he described his record “The Life of Pablo,” from 2016, as “a gospel album with a whole lot of cursing.” In this new era, though, Christianity is his raison d’être. Kanye the luminary has become Kanye the missionary.”

    – Carrie Battan on Kanye’s move from self-deification to “maximalist, gospel-choir glory,” in THE NEW YORKER ⛪⛪⛪

  • JUST RELEASED 🔎🔎🔎 Rihanna’s 500-page visual autobiography. Rihanna follows the artist, performer, designer, and entrepeneur from the beaches of Barbados to her worldwide tours, featuring intimate photos of her life on and off the stage. Peep our favorites above or head over to THERIHANNABOOK.COM for one of three limited edition hard copies codesigned by artist duo The Haas Brothers:

    –  “This Sh*t is Heavy”: includes a custom tabletop bookstand 🏋️‍♂️

    –  “Luxury Supreme Edition”: signed by RiRi + The Haas Brothers and including and a “Drippy + The Brain” gold-plated bookstand 🏆

    – “Ultra Luxury Supreme Edition”: including a custom marble pedestal 🗿

  • TRICK… 

    CHILD’S PLAY: Sasha Chaika’s shoot in an analogue uncanny valley 🎎🎎🎎

    or TREAT…

    MONSTROUS THOUGHTS: Earlier this year we asked Eugene Thacker whether we’re in a “New Golden Age” of horror film, what philosophy and horror have in common, and for a few of his favorite recent flicks.🐙🐙🐙

  • “While “sustainability” is a big buzzword in the fashion industry, it has now become so ambiguous that it’s lost its original meaning. “The problem is that no one knows what a ‘good’ value chain looks like,” says Sebastian Boger, partner and managing director at BCG and co-author of the Pulse report. “In this industry, we clearly have to differentiate between ‘less bad’ and things that make the current practices better.” More from Christopher Morency’s report on streetwear’s sustainability problem in HIGHSNOBIETY 👟👟

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  • “Whether the Ringgold-Picasso pairing inspires consternation or praise depends largely on how we conceive of the purpose of this gallery and, by extension, the Museum itself.” – Jack McGrath on the new MoMA in FRIEZE.

     

    “We did have slavery. Why should I get angry about Picasso?” – Faith Ringgold in 032c. Read the full interview HERE.

  • “What does solidarity mean in Europe today? I believe that we’re facing our moment of truth, and the truth is: in Europe, we don’t always get along as well as we like to think we do. This became clear with the Brexit vote. When I discussed Brexit with a group of parliamentarians and intellectuals from Great Britain, that’s when I grasped it: I really don’t understand them. My only explanation was that they must be crazy. Yet somehow that isn’t right either. We have held Europe together for a long time around a fiction of understanding. That’s the moment of truth: we do not understand each other at all. … There is no template for solidarity called the European Union. It’s still undefined. Now we have to talk about it again with respect to reciprocity, we have to mutually look each other in the eye and say, ‘I do not understand you.’ And then, ‘How are we supposed to move forward?’ That’s a good way to get back to Europe.”

    JOACHIM BESSING spoke to sociologist HEINZ BUDE on European solidarity in 032c Issue #36. CLICK FOR THE FULL INTERVIEW.

  • “Bruh. What the fuck? This ain’t no pool, your boy Guwop in the lagoon.”

    GUCCI MANE just dropped WOPTOBER II. Read the interview Gucci and see his shoot by Petra Collins HERE. Or get the Gucci Mane special cover IN PRINT. 📚

  • “To read in the service of any ideology is not to read at all.”

    We salute HAROLD BLOOM, literary critic and champion of the autonomy of the aesthetic.

    Read Frank Kermode on Bloom, from the LRB archive, HERE.

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  • “Outside of pure dress-up games, very few games have explored fashion as part of gameplay. Games like Hitman 2 are a notable exception, where the clothes you choose to wear (or, uh, steal) allow you to stealthily blend in with crowds. Even when games aren’t necessarily built using fashion mechanics, places to discuss fashionable armour sets have cropped up behind them. Places like r/fashionsouls on Reddit have huge communities based on obtaining and creating the most stylish outfits for more traditionally “hardcore” games like Dark Souls. There’s even one going on for Monster Hunter.”

    Victoria Tran on the growing relevance of fashion in gaming in THE GUARDIAN 🎮