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Kreuzberg Blockbuster

Faster! The corridor-sized FORGOTTEN BAR PROJECT shows a new exhibition everyday this summer.

By ALICE RYAN

Initiated by the sometimes mysterious Galerie im Regierungsviertel (their address is just a post office box) and run out of a closet-sized bar in Berlin-Kreuzberg, the Forgotten Bar Project could well have been one of the summer’s most ambitious: the improvised watering-hole/gallery’s programming rotated on a daily basis – giving organizers Maike Cruse, Tjorg Douglas Beer, Margherita Belaief, and John Kleckner scarcely a day off over the course of its two months in operation. The project apparently mirrored an early ’90s, post-wall Berlin of impromptu exhibits, screenings, and presentations, while the series of openings-cum-closings provided a nice, conveyor-belt take on the infamous and often disappointing territory of the “summer group show.” On busy nights few visitors were even able to see the contents of the show, the bar being just long and narrow enough to shimmy in for a cup of Prosecco or gazpacho, but not enough to spin around to look at what was on the walls without cricking your neck – a fact that may well have kept this project as attractive as it was. This, along with its roster of international and local artists as diverse as it was unpretentious, delivered the personal touch of an outdoor summer get-together where you just happen to bump into Jonathan Meese and Elizabeth Peyton waiting in the refreshments line.

People & Topics

Alice RyanArtBerlin

Issue #16 — Winter 2008/2009

Post-America

Issue #16 — Winter 2008/2009: Post-America
"A new world is coming into being almost unnoticed," JOHN GRAY tells HANS ULRICH OBRIST about the political and financial unrest in the "Post-American Age"; photographer STEVEN MEISEL reveals fashion's cruel and beautiful in a rare interview with PIERRE ALEXANDRE DE LOOZ (plus a 14-page foldout madness of all his Vogue Italia covers); architect WES JONES illustrates Dubai and the effects of superabundance; artist ELAINE STURTEVANT tackles copy, copyright, and the ready-made; writer INGO NIERMANN portrays architect ...…

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